EARTHY – an Ecosex Boot Camp

San Francisco, CA. May 18, 2013: Press Release from Annie Sprinkle, Beth Stephens and Femina Potens

Ecosex Boot Camp Invitation

EARTHY

— AN ECOSEX BOOT CAMP AIMS TO MAKE ECO-ACTIVSM

MORE SEXY, FUN AND DIVERSE

Beth Stephens and Annie Sprinkle aim to get an ‘E’ added to the ‘GLBTQI’ moniker. E is for ecosexual. They also want to make eco-activism more enticing, as well as expand people’s notions of what sexuality can be. “In Earthy—An Ecosex Boot Camp, we will shift the metaphor from ‘Earth as mother’ to ‘Earth as lover,’ which will hopefully be a paradigm changing experience for our audience” the women explain. “By the time people leave the show, they will likely realize they are ecosexual too.”

When Stephens and Sprinkle learned more about the environmental crisis, they saw red and went green. Today they are serious environmental activists, and two of the most visible movers and shakers in the budding international ecosex movement. They even wrote the Ecosex Manifesto! Describing San Francisco as “the clitoris of the USA, and the hotbed of the ecosex arts movement,” their show is largely funded with support from a San Francisco Arts Commission Cultural Equity Grant, a Theater Bay Area CASH award, as well as grants from UCSC, where Beth Stephens teaches art. Patty Gallagher, who is also at UCSC, directs the show.
Ecosexuals Annie Sprinkle and Elizabeth Stephens
Describing their new performance piece, they say they will utilize humor, queer strategies, lots of dirt, and an intensely physical performance involving compost toilets, a bon fire, and a dramatic soundscape performance by Tony’s Circus of the Fresh Juice Party. Lighting design is by Shelia Malone, and graphic design concepts are by Kern Toy. Stephens and Sprinkle will also utilize their naked bodies as tools of resistance on stage. They point out that, “People are part of, not separate from, nature. Therefore all sex is actually ecosex.”

The Center for Sex & Culture will be transformed into an “Ecosex Bootcamp,” with a host of sexy camp counselors. Audiences are invited to bring their cameras and can pose on the stage with the props after the show. The performance will climax with a bondage inspired protest, group wedding vows to the Earth, and a call and response to the question, “What in nature turns you on?”

8 shows only! Thursdays-Sundays:

June 13, 14, 15, 16,
and 20, 21, 22, 23
8:00 PM
Center for Sex and Culture
1349 Mission St.
San Francisco, CA, 94103

Tickets are sliding scale, $12-$25
Brown Paper Tickets http://www.brownpapertickets.com/event/374736

More about Stephens & Sprinkle’s work:

www.sexecology.org

Co-Presented by Femina Potens Art Gallery / www.feminapotens.org

Femina Potens is a nationally recognized non-profit arts organization, established in 2000, and dedicated to the advancement of LGBTQ & Allied Artists and Communities. Femina Potens is a leading queer organization in San Francisco and in 2012 launched new programming in NYC and Los Angeles.

UCSC Professor Elizabeth Stephens

UCSC Professor Elizabeth Stephens – videointerview published by DobroFilms, May 2012.

UCSC Art Professor and former Chair of the Art Department, UC David PhD Candidate, wife to Annie Sprinkle, performance artist, sculptor, Elizabeth Stephens talked with Nada Miljkovic for KZSC’s Artist on Art about her work as an eco-activist and SexEcology, and events – among others her and Annie’s Eco Sexual Bed Peace performance at the Santa Cruz Museum of Art and History in May 2012.

The video was recorded in Elizabeth Stephens’ and Annie Sprinkle’s installation The Temple of Love at the Santa Cruz Museum of Art and History.

Related Link
Elisabeth Stephens’ website

SOMArts Cultural Center: Man as Object: Reversing the Gaze

SOMArts Cultural Center, San Francisco presents

Man as Object: Reversing the Gaze, November 4–30, 2011
Opening Reception with Artwork Dedication & Performance
Friday, Nov 4 2011, 6–9 pm. Free Admission.

Women Artists Look at Men and Masculinity - Art Exhibition Re-envisions Gender, Society and The Politics of Exposure

San Francisco, CA, USA – Man as Object: Reversing the Gaze is an exhibition that re-envisions gender, society and the politics of exposure.With a gallery filledwithmen stripped naked, this body of work exposes women’s cheeky, provocative and sometimes shocking commentaries on the opposite sex. The exhibition’s contemporary scope encompasses all the ways that women view Man-as-Object, reversing the traditional view of male artists objectifying women. Its diverse perspectives onmasculinity come fromstraight, transsexual, transgender, lesbian and multi-cultural artists through a spectrum of media, from paintings to sculpture, installations to performance, video to social media. The show’s extensive collection of male adoration, male impersonation and male appendages may make the viewer squirma little. But that is precisely the point. The more than 100 women artists in the exhibition unapologetically reveal how they really see men. Through this public display at SOMArts Cultural Center, the show’s organizers aimto equalize the gaze between the sexes.

San Francisco State University Assistant Professor Tanya Augsburg selected 117 pieces from 900 submissions for presentation in the SOMArts Cultural Center gallery on behalf of Karen Gutfreund and Priscilla Otani, recipients of the 2011 SOMArts Cultural Center Curatorial Residency Award. The show will travel in part to the Kinsey Institute Gallery in April 2012. Showing at SOMArts Cultural Center, 934 Brannan Street, San
Francisco, CA., 11/4 – 11/30/11, Tues-Fri 12-7 p.m.; Sat 12-5 p.m.

Featured Artists
This big group exhibition feature among feminist artists Juana Alicia, Nancy Buchanan, Guerrilla Girls On Tour!, Lynn Hershman Leeson, Jill O’Bryan, ORLAN, Carolee Schneemann, Sylvia Sleigh, May Wilson and Melissa P. Wolf and self identified queer artists Annie Sprinkle and Elizabeth Stephens. Other queer artists are Tania Hammidi, Tristan Crane, Molly Marie Nuzzo and Chanel Matsunami Govreau. The full list of exhibiting artists is available at the official exhibition website.

Publication
Man as Object: Reversing the Gaze is accompanied by a full color catalog by Tanya Augsburg and Karen Gutfreund, with essays from Lynn Hershman Leeson, Annie Sprinkle and others. Curator Tanya Augsburg wrote in the catalogue introduction about Elisabeth Stephens work at the exhibition:

“Alternatively, Elizabeth Stephens addresses penis size mythologies from a lesbian-turned-ecosexual perspective with her bronze sculpture, Ron Jeremy’s BVDs (2008). Porn star Ron Jeremy is legendary for the size of his cock; however, Stephens regards the penis as just “one erotic object in a field of visual objects.” In an email Stephens writes: “I find more erotic, for instance female genitalia, trees, dirt, water, mountains—and in terms of this competition it doesn’t really stand up as the most powerful object of desire.”(…) Stephens gazes beyond Jeremy’s famous anatomy to focus on the abject qualities of his dirty underwear. Unimpressed by either the length or girth of a penis, Stephens provides a humorous reality check to those willing to ignore a man’s unsightly appearance and demeanor just because he has a big you-know-what.

Sponsors
Man as Object: Reversing the Gaze is sponsored by Women’s Caucus for Art and made possible through grants and assistance from SOMArts Cultural Center, the San Francisco Arts Commission and the San Francisco Foundation.

Related Links
Official Exhibition Website of Man as Object: Reversing the Gaze

Man As Object: Reversing the Gaze Art Exhibition

Video trailer about Man As Object: Reversing the Gaze Art Exhibition by SOMarts, San Francisco, USA

Man As Object: Reversing the Gaze Art Exhibition
November 4-30, 2011
Events include: peepshow drawing circle, performance, film screening, and featured artist panel
Venue: SOMarts Cultural Center, 934 Brannan st. (Between 8th & 9th street), San Francisco, CA, USA
Free Admission
Curators: Juror Tanya Augsberg, Ph.D, Exhibition Director Karen Gutfreund, and curatorial committee members Priscilla Otani and Brenda Oelbaum.

The exhibition includes art by feminist art pioneers:
Juana Alicia, Nancy Buchanan, Guerrilla Girls On Tour!, Lynn Hershman Leeson, Jill O’Bryan, ORLAN, Carolee Schneemann, Sylvia Sleigh, Annie Sprinkle, Elizabeth Stephens, May Wilson and Melissa P. Wolf.