{"id":17503,"date":"2017-11-07T11:43:59","date_gmt":"2017-11-07T09:43:59","guid":{"rendered":"http:\/\/www.femininemoments.dk\/blog\/?p=17503"},"modified":"2017-11-07T12:06:13","modified_gmt":"2017-11-07T10:06:13","slug":"cahun-claude-art-books","status":"publish","type":"post","link":"https:\/\/www.femininemoments.dk\/blog\/cahun-claude-art-books\/","title":{"rendered":"Cahun, Claude &#8211; Art Books, Monographs and biographies"},"content":{"rendered":"<h2>Cahun, Claude<\/h2>\n<p>Absence Where As: Claude Cahun and the Unopened Book<br \/>\nby Nathalie (Nathana\u00ebl) Stephens<br \/>\nPublisher: Nightboat (March 2, 2009)<br \/>\nLanguage: English<br \/>\nISBN-10: 098226450X<br \/>\nISBN-13: 978-0982264508<br \/>\nAmazon writes: This new book, from inter-genre, bilingual writer Nathana\u00ebl (Nathalie Stephens), investigates the relationship between image and language through a philosophical and poetic meditation on a self-portrait by Surrealist photographer and writer Claude Cahun.<\/p>\n<p>Bachelors<br \/>\nBy Rosalind E.<br \/>\nPublisher: MIT Press, 1999<br \/>\nSubject: Claude Cahun and Dora Maar : by way of introduction ; Louise Bourgeois: Portrait of the artist as Fillette ; Agnes Martin: The cloud ; Eva Hesse: Contingent ; Cindy Sherman: Untitled \u2026<\/p>\n<p>Cherchez CLAUDE CAHUN<br \/>\nBy Laura Cottingham<br \/>\n61 pp., 20 illus. First French ed. Lyon, ed. carobella ex-natura, 2002<br \/>\nArtextbooks.com: \u201cFirst French publication of Cottingham\u2019s seminal essay on Cahun, an early surrealist, feminist, and lesbian performance artist \/ photographer who has only been rediscovered in the past decade.\u201d<\/p>\n<p>Claude Cahun [Texte imprim\u00e9] : [photographies]<br \/>\nintrod. par Fran\u00e7ois Leperlier<br \/>\nPublication : Paris : Nathan, 1999<br \/>\nISBN 2-09-754136-4<\/p>\n<p>Claude Cahun<br \/>\nBy Francois Lepelier and Liz Heron<br \/>\nBlackwell Verso 1997<\/p>\n<p>Claude Cahun: A Sensual Politics of Photography<br \/>\nby Gen Doy<br \/>\nPublisher: I.B.Tauris (January 15, 2008)<br \/>\nLanguage: English<br \/>\nISBN-10: 1845115511<br \/>\nISBN-13: 978-1845115517<\/p>\n<p>Claude Cahun. Bilder<br \/>\nExhibition catalogue<br \/>\nEdited by Heike Ander and Dirk Snauwaert, text by Laura Cottingham, Francoise Leperlier, Peter Weibel and Dirk Snauwaert<br \/>\nMunich, Germany: Kunstverein M\u00fcnchen, July 16-September 28, 1997<\/p>\n<p>Claude Cahun, Photographe<br \/>\nEssay by Francois Leperlier<br \/>\nParis: Jean Michel Place, 1992<br \/>\nISBN 2-85893-158-5<\/p>\n<p>Claude Cahun: Masks and Metamorphoses<br \/>\nFrancois Lepelier<br \/>\nBlackwell Verso 1997 (2nd. edition 2001)<\/p>\n<p>Claude Cahun. Photographe: 1894-1954<br \/>\nExibition catalogue.<br \/>\nEdited by Fran\u00e7ois Leperlier.<br \/>\nParis, France: Mus\u00e9e d\u2019ArtModerne de la Ville de Paris, June 23-September 17, 1995<\/p>\n<p>Don&#8217;t Kiss Me: Art of Claude Cahun and Marcel MooreJun 2006<br \/>\nby Louise Downie (ed.)<br \/>\nPublisher: Tate Publishing (June 2006)<br \/>\nLanguage: English<br \/>\nISBN-10: 1854376799<br \/>\nISBN-13: 978-1854376794<\/p>\n<p>Exist Otherwise: The Life and Works of Claude Cahun<br \/>\nby Jennifer L. Shaw<br \/>\nPublisher: Reaktion Books (June 15, 2017)<br \/>\nLanguage: English<br \/>\nISBN-10: 1780237286<br \/>\nISBN-13: 978-1780237282<br \/>\nAmazon writes: Jennifer L. Shaw embeds Cahun within the exciting social and artistic milieu of Paris between the wars. She examines her relationship with Marcel Moore\u2014Cahun\u2019s stepsister, lover, and life partner\u2014who was a central collaborator helping make some of the most compelling photographs and photomontages of Cahun\u2019s oeuvre, dreamscapes of disassembled portraiture and scenes that simultaneously fascinate and terrify.<\/p>\n<p>Surrealist Painters and Poets: An Anthology<br \/>\nEdited by: Mary Ann Caws, includes translations of writing by the infamous Elsa Baroness von Freytag-Lorinhoven, Annie Le Brun, Djuna Barnes\u2019 friend Mina Loy, M\u00e9ret Oppenheim, Gisle Prassinos, painter Frida Kahlo, and photographer Claude Cahun.<br \/>\nIndexed. Cambridge and London: The MIT Press, 2001, 530 pp.<br \/>\nISBN 0-262-03275-9<\/p>\n<p>Rrose is a Rrose is a Rrose: Gender Performance in Photography<br \/>\nTexts by Jennifer Blessing, Carole-Anne Tyler, Sarah Wilson, Nancy Spector, Judith Halberstam, with a picture essay by Lyle Ashton Harris.<br \/>\nFirst ed. New York, Abrams, 1997<br \/>\nA study of gender representation in photography from the Surrealists to the 1970s in Europe and America. Photographers include Barney, Beaton, Brassai, Cahun, Hoch, Klauke, Lynes, Man Ray, Madame Yevonde, Antoni, Goldin, Mapplethorpe, Markay, Messager, Molinier, Morimura, Opie, Samaras, Sherman, Sieverding, Van Lamsweerde.<\/p>\n<p>Women Making Art: History, Subjectivity, Aesthetics<br \/>\nBy Marsha Meskimmon<br \/>\nLondon and New York: Routledge, 2003<br \/>\nISBN 0-415-24278-9.<br \/>\nTee Corinne in Queer Caucus for Art newsletter, June 2003: (The book) \u201cincludes an extended discussion of work by lesbian photographers Claude Cahun (1894-1954) and Rosy Martin (1946-). There are great bibliographic notations, but the inadequate index is both perplexing and vexing\u201d.<\/p>\n<hr>\n<p><em>NB! The fact that an artist is mentioned in Feminine Moments\u2019 bibliography it is of course no guaranty that she will be lesbian, bisexual or queer tomorrow, nor that the authors of the above books are \u201cout and proud\u201d in their writings\u2026<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Feminine Moments&#8217; bibliography &#8211; art books about French artist and lesbian Claude Cahun.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[766],"tags":[106],"class_list":["post-17503","post","type-post","status-publish","format-standard","hentry","category-c","tag-claude-cahun"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/posts\/17503","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/comments?post=17503"}],"version-history":[{"count":0,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/posts\/17503\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/media?parent=17503"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/categories?post=17503"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/tags?post=17503"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}