Cut with the kitchen knife : the Weimar photomontages of Hannah H\u00f6ch
\nMaud Lavin
\n1993. 260 p., Yale University Press<\/p>\n
Hannah H\u00f6ch
\nHeinz Ohff
\n1968<\/p>\n
Hannah H\u00f6ch: Album
\nHerausgeber: Gunda Luyken
\nHatje Cantz Verlag, 2004<\/p>\n
Hannah H\u00f6ch: eine Lebenscollage. Band 2, 1921-1954
\nArchiv-Edition
\nPublisher: Hatje<\/p>\n
Hannah H\u00f6ch: Fotomontagen, Gem\u00e4lde, Aquarelle
\nmit Textbeitr\u00e4gen von G\u00f6tz Adriani
\n1980, DuMont<\/p>\n
Hannah H\u00f6ch: jenseits fester Grenzen : das malerische Werk bis 1945
\nEllen Maurer
\n1995, Gebr. Mann Verlag<\/p>\n
Hannah H\u00f6ch: Life Portrait: A Collaged Autobiography
\nby Orgel-K\u00f6hne and Alma-Elisa Kittner
\nPublisher: The Green Box (September 27, 2016)
\nLanguage: English
\nISBN-10: 394164484X
\nISBN-13: 978-3941644847<\/p>\n
Hannah H\u00f6ch : Marlborough
\n1966<\/p>\n
Hannah H\u00f6ch: Picture Book
\nby Brian Currid and Gunda Luyken
\nPublisher: The Green Box; First Edition edition (October 31, 2010)
\nLanguage: English
\nISBN-10: 3941644130
\nISBN-13: 978-3941644137<\/p>\n
Hannah H\u00f6ch: Werke und Worte
\nhrsg. von Herbert Remmert und Peter Barth
\n1982. 147 s. Fr\u00f6lich & Kaufmann<\/p>\n
Rrose is a Rrose is a Rrose: Gender Performance in Photography
\nTexts by Jennifer Blessing, Carole-Anne Tyler, Sarah Wilson, Nancy Spector, Judith Halberstam, with a picture essay by Lyle Ashton Harris.
\nFirst ed. New York, Abrams, 1997
\nA study of gender representation in photography from the Surrealists to the 1970s in Europe and America. Photographers include Barney, Beaton, Brassai, Cahun, Hoch, Klauke, Lynes, Man Ray, Madame Yevonde, Antoni, Goldin, Mapplethorpe, Markay, Messager, Molinier, Morimura, Opie, Samaras, Sherman, Sieverding, Van Lamsweerde.<\/p>\n
The photomontages of Hannah H\u00f6ch : Walker Art Center, Mineapolis, October 20, 1996-February 2, 1997, The Museum of Modern Art, New York, February 26-May 20, 1997, Los Angeles County Museum of Art, June 26-September 14, 1997
\nEssays by Peter Boswell, Maria Makela, Carolyn Lanchner
\n1996. 224 s., illustrated<\/p>\n
Three Berlin Artists of the Weimar Era: Hannah H\u00f6ch, K\u00e4the Kollwitz and Jeanne Mammen.
\nBy Louise R. Noun
\nDes Moines, Iowa: Des Moines Art Center, 1994.<\/p>\n
Walker Art Center
\nSexual artifice : persons, images, politics
\ned. by Ann Kibbey, Kayann Short, and Abouali Farmanfarmaian
\n1994<\/p>\n
Women in Dada: Essays on Sex, Gender, and Identity
\nBy Naomi Sawelson-Gorse (Editor)
\nPublisher: MIT Press; (February 19, 2001)
\nISBN: 0262692600
\nLibrary Journal: \u201cGiven its heyday between the years 1916 and 1924, it is no surprise misogyny prevailed in the Dada movement. Thus, the editors surmise the need and rationale for this new study of Dada\u2019s lesser-known female participants. Among the numerous key figures discussed are Hannah Hoch, Juliette Roche, Suzanne Duchamp, Sophie Taeuber, Emmy Hennings, Mina Loy, Baroness Elsa von Freytag-Loringhoven, Clara Tice, Florine Stettheimer, Margaret Anderson, Jane Heap, and Beatrice Wood. Topics include the young American girl, the gendered machine, the dandy, cross-dressing, homosexuality, and primitivism\u201d.<\/p>\n
Women in the metropolis : gender and modernity in Weimar culture
\nEdited by Katharina von Ankum
\nPublisher: University of California Press, 1997<\/p>\n
NB! The fact that an artist is mentioned in Feminine Moments\u2019 bibliography it is of course no guaranty that she will be lesbian, bisexual or queer tomorrow, nor that the authors of the above books are \u201cout and proud\u201d in their writings\u2026<\/em><\/p>\n","protected":false},"excerpt":{"rendered":" Feminine Moments’ bibliography – art books by Dada artist and bisexual woman Hannah H\u00f6ch.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1099],"tags":[177],"class_list":["post-17668","post","type-post","status-publish","format-standard","hentry","category-h","tag-hannah-hoch"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/posts\/17668","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/comments?post=17668"}],"version-history":[{"count":0,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/posts\/17668\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/media?parent=17668"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/categories?post=17668"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/tags?post=17668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}