{"id":17750,"date":"2017-11-14T13:18:25","date_gmt":"2017-11-14T11:18:25","guid":{"rendered":"http:\/\/www.femininemoments.dk\/blog\/?p=17750"},"modified":"2017-11-14T13:18:25","modified_gmt":"2017-11-14T11:18:25","slug":"leonard-zoe-art-books-monographs-and-biographies","status":"publish","type":"post","link":"https:\/\/www.femininemoments.dk\/blog\/leonard-zoe-art-books-monographs-and-biographies\/","title":{"rendered":"Leonard, Zoe &#8211; Art Books, Monographs and Biographies"},"content":{"rendered":"<h2>Leonard, Zoe<\/h2>\n<p>Analogue<br \/>\nby Zoe Leonard<br \/>\nPublisher: The MIT Press,2007<br \/>\nISBN-10: 0262122952<br \/>\nISBN-13: 978-0262122955<br \/>\nAmazon.com on the book: \u201cA major photographic project examines the disappearing face of twentieth-century urban life and the increasing obsolescence of non-digital photography.The photographs in Zoe Leonard\u2019s \u201cAnalogue\u201d trace the \u201clayered, frayed, and quirky\u201d beauty of a fading way of life. Zoe Leonard documents the vanishing face and texture of twentieth century urban life, as seen in the shop windows of mom-and-pop stores.\u201d<\/p>\n<p>Erotic Ambiguities: The Female Nude in Art<br \/>\nby Helen McDonald<br \/>\nLondon and New York: Routledge, 2001, 249 pp.,<br \/>\npaperback, ISBN 0-415-17099-0; hardcover, ISBN 0-415-17098-2.<br \/>\nTee Corinne in Feminist Art Books Bulletin #4, Oct. 2001: \u201c(It is) a dense, theory-filled volume which discusses work by \u2013 among many others \u2013 contemporary queer artists Zoe Leonard and Tracey Moffatt.\u201d<\/p>\n<p>The Fae Richards Photo Archive<br \/>\nby Cheryl Dunye (Author), Zoe Leonard<br \/>\nPublisher: Artspace Books,U.S. 1996<br \/>\nISBN-10: 0963109588<br \/>\nISBN-13: 978-0963109583<\/p>\n<p>Zoe Leonard<br \/>\nby Bennett Simpson and Douglas Crimp<br \/>\nPublisher: Prestel (March 20, 2018)<br \/>\nLanguage: English<br \/>\nISBN-10: 379135731X<br \/>\nISBN-13: 978-3791357317<\/p>\n<p>Zoe Leonard<br \/>\nby Elisabeth Lebovici<br \/>\nPublisher: Centre National de la Photographie (Jan 1998)<br \/>\nISBN-10: 2867541190<br \/>\nISBN-13: 978-2867541193<\/p>\n<p>Zoe Leonard<br \/>\nKunsthalle Basel, 11\/1997<br \/>\nAusstellungskataloge<br \/>\nISBN 3-7965-1385-9<br \/>\n\u201cEs handelt sich vorwiegend um schwarzweiss Fotographien. Zu den Motiven geh\u00f6ren Fr\u00fcchte, Menschen, Wandaufschriften und weitere.\u201d<\/p>\n<p>Zoe Leonard: Available Light<br \/>\nby Diedrich Diederichsen and Suzanne Hudson<br \/>\nPublisher: Ram Publications; First Edition edition (January 1, 2014)<br \/>\nLanguage: English<br \/>\nISBN-10: 190546486X<br \/>\nISBN-13: 978-1905464869<\/p>\n<p>Zoe Leonard &#038; Elisabeth Lebovici The politics of contemplation \/ From there to back again<br \/>\nPublished by Murray Guy 2012<br \/>\nSpecial limited edition of 1,000 copies\/ handbound and signed by the artist.<br \/>\nMurrayguy.com about the book: \u201cthe booklet includes(\u2026):\u201dThe politics of contemplation,\u201d a conversation recorded in Paris in April, 2012, between Zoe Leonard and Elisabeth Lebovoci.[And]\u201dFrom there to back again,\u201d a text written by Elisabeth Lebovici on the occasion of an exhibition of work by Zoe Leonard at Murray Guy, New York, 2012.\u201d<\/p>\n<p>Zoe Leonard: Fotografias\/ Photographs<br \/>\nby Zoe Leonard<br \/>\nLanguage Spanish<br \/>\nISBN-10: 8480263776<br \/>\nISBN-13: 978-8480263771<\/p>\n<p>Leonard Zoe \u2013 Mouth Open Teeth Showing<br \/>\nby Zoe Leonard<br \/>\nPublisher: Revolver, 2003<br \/>\nISBN-10: 3936919178<br \/>\nISBN-13: 978-3936919172<\/p>\n<p>Zoe Leonard: Photographs<br \/>\nby Urs Stahel<br \/>\nPublisher: Steidl (4 Feb 2008)<br \/>\nISBN-10: 3865214940<br \/>\nISBN-13: 978-3865214942<br \/>\nAmazon.com on the book: \u201c\u2026 Zoe Leonard\u2019s practice involves a type of cerebral roaming combined with carefully considered observation. For more than 20 years she has criss-crossed nature and culture, cityscapes and museums, always searching for signs that say something about structures, about natural and cultural conditions and the contradictions, parallels and connections among them. (\u2026) The political aspects of her work form the backdrop of her constant struggle with shape, with imagery, with the union of symbols and content. This is the first book encompassing her complete oeuvre.\u201d<\/p>\n<p>Zoe Leonard: You see I am here after all<br \/>\nby Zoe Leonard and Lytle Shaw<br \/>\nSeries: Dia Foundation<br \/>\nPublisher: Dia Art Foundation (January 18, 2011)<br \/>\nISBN-10: 0300151683<br \/>\nISBN-13: 978-0300151688<br \/>\nAmazon.com about the Art Book: \u201cZoe Leonard\u2019s You see I am here after all brings together thousands of postcard images of the \u201cgreat cataract,\u201d Niagra Falls, from the early 1900s through the 1950s. This grand accumulation of viewpoints brings up issues as diverse as human interventions with nature and the function of landscape in inventing American historical narratives, as well as the technological evolution of image reproduction and dissemination.\u201d<\/p>\n<hr \/>\n<p><em>NB! The fact that an artist is mentioned in Feminine Moments\u2019 bibliography it is of course no guaranty that she will be lesbian, bisexual or queer tomorrow, nor that the authors of the above books are \u201cout and proud\u201d in their writings\u2026<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Feminine Moments&#8217; bibliography &#8211; art books by American photographer and queer woman Zoe Leonard.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1103],"tags":[403],"class_list":["post-17750","post","type-post","status-publish","format-standard","hentry","category-l","tag-zoe-leonard"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/posts\/17750","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/comments?post=17750"}],"version-history":[{"count":0,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/posts\/17750\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/media?parent=17750"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/categories?post=17750"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/tags?post=17750"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}