{"id":17835,"date":"2017-11-16T12:42:18","date_gmt":"2017-11-16T10:42:18","guid":{"rendered":"http:\/\/www.femininemoments.dk\/blog\/?p=17835"},"modified":"2021-06-17T13:12:22","modified_gmt":"2021-06-17T11:12:22","slug":"opie-catherine-art-books-monographs-and-biographies","status":"publish","type":"post","link":"https:\/\/www.femininemoments.dk\/blog\/opie-catherine-art-books-monographs-and-biographies\/","title":{"rendered":"Opie, Catherine &#8211; Art Books, Monographs and Biographies"},"content":{"rendered":"<h2>Opie, Catherine<\/h2>\n<p>700 Nimes Road<br \/>\nby Catherine Opie and Hilton AlsPublisher: Prestel (September 25, 2015)<br \/>\nLanguage: English<br \/>\nISBN-10: 3791354256<br \/>\nISBN-13: 978-3791354255<br \/>\nThe renowned photographer Catherine Opie takes on a challenging documentary project\u2014 an &#8220;indirect portrait&#8221; of Elizabeth Taylor through her home and possessions.<\/p>\n<p>Andrea Bowers &#038; Catherine Opie (Between Artists)<br \/>\nby Andrea Bowers (Author),\u200e Catherine Opie (Author),\u200e Alejandro Cesarco (Editor)<br \/>\nSeries: Between Artists<br \/>\nPaperback: 72 pages<br \/>\nPublisher: A.R.T. Pr (June 6, 2008)<br \/>\nLanguage: English<br \/>\nISBN-10: 0923183442<br \/>\nISBN-13: 978-0923183448<\/p>\n<p>Catherine Opie (Signed Edition)<br \/>\nWith essays by Hilton Als, Douglas Fogle, Helen Molesworth, and Elizabeth A. T. Smith, and an interview by Charlotte Cotton<br \/>\nPhaidon, May 2021<br \/>\nFormat: Hardback<br \/>\nSize: 323 x 275 mm (12 3\/4 x 10 7\/8 in)<br \/>\nPages: 338 pp<br \/>\nIllustrations: 0 illustrations<br \/>\nISBN: 9781838662783<br \/>\nPhaidon about the book: For almost 40 years, Catherine Opie has been documenting with psychological acuity the cultural and geographic identity of contemporary America. This unique artist monograph presents a compelling visual narrative of Opie&#8217;s work since the early 1980s, pairing images across bodies of work to form a full picture of her artistic vision. With more than 300 beautiful illustrations and made in close collaboration with Opie, the book marks a turning point in the consideration of this artist&#8217;s work to date.<\/p>\n<p>CATHERINE OPIE<br \/>\nby Colette Dartnall and Elizabeth A.T. Smith<br \/>\nPublisher: Museum of Contemporary Art; 1st edition (June 1, 1997)<br \/>\nLanguage: English<br \/>\nISBN-10: 0914357530<br \/>\nISBN-13: 978-0914357537<\/p>\n<p>Catherine Opie<br \/>\nIntroduction by Kate Bush<br \/>\nInterview by Russell Ferguson, essay by Joshua Decter<br \/>\nLondon: The Photographers\u2019 Gallery, 2000<br \/>\nISBN 0-907879-58-6, cloth.<br \/>\nTee Corinne: \u201cIncludes early 1990s portraits, black and white freeway scenes, Southern California house fronts, and recent lesbian family portraits by Opie (b. 1961) whose work has been exhibited at the Museum of Contemporary Art (Chicago) and elsewhere.\u201d<\/p>\n<p>Catherine Opie: 1999\/In and Around Home<br \/>\nby Jessica Hough and Catherine Opie<br \/>\nPublisher: The Aldrich Contemporary Art Museum\/Orange County Museum of Art (August 15, 2006)<br \/>\nLanguage: English<br \/>\nISBN-10: 188833228X<br \/>\nISBN-13: 978-1888332285<\/p>\n<p>Catherine Opie: American Photographer<br \/>\nby Dorothy Allison, Jennifer Blessing, Nat Trotman, Russell Ferguson and photographer Catherine Opie<br \/>\nPublished by Guggenheim Museum, 2008<br \/>\nISBN-10: 0892073756<br \/>\nISBN-13: 978-0892073757<\/p>\n<p>Catherine Opie: Chicago (American Cities)<br \/>\nby Elizabeth Smith and Catherine Opie<br \/>\nPublisher: Museum of Contemporary Art, Chicago (September 1, 2006)<br \/>\nLanguage: English<br \/>\nISBN-10: 0933856865<br \/>\nISBN-13: 978-0933856868<\/p>\n<p>Catherine Opie: Empty and Full<br \/>\nby Jill Medvedow and Anna Stothart<br \/>\nPublisher: Hatje Cantz (May 31, 2011)<br \/>\nLanguage: English<br \/>\nISBN-10: 377573015X<br \/>\nISBN-13: 978-3775730150<\/p>\n<p>Catherine Opie: Inauguration<br \/>\nby Eileen Myles and Catherine Opie<br \/>\nPublisher: Gregory R. Miller &#038; Co. (September 30, 2011)<br \/>\nLanguage: English<br \/>\nISBN-10: 0982681321<br \/>\nISBN-13: 978-0982681329<\/p>\n<p>Catherine Opie: Keeping an Eye on the World<br \/>\nby Catherine Opie and Tone Hansen<br \/>\nPublisher: Walther Konig (February 27, 2018)<br \/>\nLanguage: English<br \/>\nISBN-10: 3960982070<br \/>\nISBN-13: 978-3960982074<\/p>\n<p>Catherine Opie: The Photographer&#8217;s Gallery, London, 9 August &#8211; 24 September 2000<br \/>\nby Catherine Opie and Kate Bush<br \/>\nPublisher: Photographers&#8217; Gallery; 1st edition (August 2000)<br \/>\nLanguage: English<br \/>\nISBN-10: 0907879586<br \/>\nISBN-13: 978-0907879589<\/p>\n<p>Catherine Opie: Skyways &#038; Icehouses<br \/>\nBy Catherine Opie<br \/>\nMinneapolis: Walker Art Center, 2002<br \/>\nISBN 0-935640-72-X<\/p>\n<p>Dyke Deck<br \/>\nby Catherine (Cathy) Opie (Author)<br \/>\nUnbound<br \/>\nPublisher: Museum of Contemporary Art (1996)<br \/>\nASIN: B002KC156E<\/p>\n<p>Rrose is a Rrose is a Rrose: Gender Performance in Photography<br \/>\nTexts by Jennifer Blessing, Carole-Anne Tyler, Sarah Wilson, Nancy Spector, Judith Halberstam, with a picture essay by Lyle Ashton Harris.<br \/>\nFirst ed. New York, Abrams, 1997<br \/>\nA study of gender representation in photography from the Surrealists to the 1970s in Europe and America. Photographers include Barney, Beaton, Brassai, Cahun, Hoch, Klauke, Lynes, Man Ray, Madame Yevonde, Antoni, Goldin, Mapplethorpe, Markay, Messager, Molinier, Morimura, Opie, Samaras, Sherman, Sieverding, Van Lamsweerde.<\/p>\n<hr \/>\n<p><em>NB! The fact that an artist is mentioned in Feminine Moments\u2019 bibliography it is of course no guaranty that she will be lesbian, bisexual or queer tomorrow, nor that the authors of the above books are \u201cout and proud\u201d in their writings\u2026<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Feminine Moments&#8217; bibliography &#8211; art books by American photographer and queer feminist Catherine Opie.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1106],"tags":[91],"class_list":["post-17835","post","type-post","status-publish","format-standard","hentry","category-o","tag-catherine-opie"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/posts\/17835","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/comments?post=17835"}],"version-history":[{"count":0,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/posts\/17835\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/media?parent=17835"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/categories?post=17835"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/tags?post=17835"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}