{"id":18828,"date":"2018-10-09T12:10:47","date_gmt":"2018-10-09T10:10:47","guid":{"rendered":"http:\/\/www.femininemoments.dk\/blog\/?p=18828"},"modified":"2022-03-21T13:27:27","modified_gmt":"2022-03-21T11:27:27","slug":"christina-rosenberger-finding-the-grid-agnes-martin-and-abstraction-2017","status":"publish","type":"post","link":"https:\/\/www.femininemoments.dk\/blog\/christina-rosenberger-finding-the-grid-agnes-martin-and-abstraction-2017\/","title":{"rendered":"Christina Rosenberger, Finding the Grid: Agnes Martin and Abstraction (2017)"},"content":{"rendered":"<p><iframe loading=\"lazy\" width=\"700\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/ohkgvpru8vQ?rel=0&amp;showinfo=0\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/p>\n<p>Video (1:01:56): in her lecture Christina Rosenberger, author of <em>Drawing the Line: The Early Work of Agnes Martin<\/em>, examines the arc of Agnes Martin\u2019s early career, her productive confrontations with artists such as Ellsworth Kelly, Robert Indiana and Lenore Tawney, and the vibrant artistic networks that developed between California, New Mexico, and New York in the post-war period.<\/p>\n<h2>Art Book<\/h2>\n<p><em>Drawing the Line: The Early Work of Agnes Martin<\/em><br \/>\nby Christina Bryan Rosenberger<br \/>\nHardcover: 256 pages<br \/>\nPublisher: University of California Press; First edition (July 19, 2016)<br \/>\nLanguage: English<br \/>\nISBN-10: 9780520288249<br \/>\nISBN-13: 978-0520288249<\/p>\n<h2>About Christina Bryan Rosenberger<\/h2>\n<p>Christina Bryan Rosenberger is an art historian living in Albuquerque, New Mexico. She is a contributor to Tate Modern\u2019s 2015 exhibition catalogue Agnes Martin and recently wrote on Martin\u2019s 1978 film Gabriel for Artforum. She has taught modern art at the University of New Mexico and has served as Research Coordinator for the Center for the Technical Study of Modern Art at the Harvard Art Museums.<\/p>\n<p><em>[The copyright of the video above remains with the original holder and it is used here for the purpose of education, comparison and criticism only.]<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Video (1:01:56): in her lecture Christina Rosenberger, author of Drawing the Line: The Early Work of Agnes Martin, examines the arc of Agnes Martin\u2019s early career.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[3,15,19],"tags":[415],"class_list":["post-18828","post","type-post","status-publish","format-video","hentry","category-art-book","category-lecture","category-painting","tag-agnes-martin","post_format-post-format-video"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/posts\/18828","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/comments?post=18828"}],"version-history":[{"count":0,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/posts\/18828\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/media?parent=18828"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/categories?post=18828"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/tags?post=18828"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}