{"id":24491,"date":"2023-02-22T13:57:59","date_gmt":"2023-02-22T11:57:59","guid":{"rendered":"https:\/\/www.femininemoments.dk\/blog\/?p=24491"},"modified":"2023-02-22T14:04:00","modified_gmt":"2023-02-22T12:04:00","slug":"artist-vivienne-binns-waiting-for-those-little-moments-of-inspiration-tate","status":"publish","type":"post","link":"https:\/\/www.femininemoments.dk\/blog\/artist-vivienne-binns-waiting-for-those-little-moments-of-inspiration-tate\/","title":{"rendered":"Artist Vivienne Binns &#8211; &#8220;Waiting for Those Little Moments of Inspiration&#8221; | Tate"},"content":{"rendered":"<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/vKseNrg7zic\" width=\"700\" height=\"450\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Video (7:36): &#8216;Australian artist Vivienne Binns is known for a diverse stylistic approach in a career that spans painting and community activism over the course of more than half a century. Hear the artist talking from her Canberra studio about how she became committed to surfacing ordinary women\u2019s stories through memory and family connections from the late 1960s to mid-1980s when she worked deep within communities, and how she returned to painting in 1985 with a renewed passion for articulating her own experiences and emotions.&#8217; &#8211; Tate (UK)<\/p>\n<p><em>[The copyright of the above video remains with the original holder and it is used here for the purpose of education, comparison and criticism only.]<\/em><\/p>\n<h2>Related Link<\/h2>\n<p>Read more about Vivienne Binns:\u00a0<a href=\"https:\/\/theconversation.com\/meet-vivienne-binns-the-australian-artist-whose-work-was-called-an-affront-to-masculinity-175635\" target=\"_blank\" rel=\"noopener\">Meet Vivienne Binns, the Australian artist whose work was called \u2018an affront to masculinity\u2019<\/a>\u00a0by Julie Shiels\/The Conversation.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Video (7:36): Hear the artist talking from her Canberra studio about how she became committed to surfacing ordinary women\u2019s stories through memory and family connections from the late 1960s to mid-1980s when she worked deep within communities, and how she returned to painting in 1985 with a renewed passion for articulating her own experiences and emotions. Video by Tate (UK)<\/p>\n","protected":false},"author":1,"featured_media":24492,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1479],"tags":[841],"class_list":["post-24491","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-australia","tag-vivienne-binns"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/posts\/24491","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/comments?post=24491"}],"version-history":[{"count":0,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/posts\/24491\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/media\/24492"}],"wp:attachment":[{"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/media?parent=24491"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/categories?post=24491"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/tags?post=24491"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}