{"id":26344,"date":"2024-03-29T09:42:35","date_gmt":"2024-03-29T07:42:35","guid":{"rendered":"https:\/\/www.femininemoments.dk\/blog\/?p=26344"},"modified":"2024-03-29T10:16:52","modified_gmt":"2024-03-29T08:16:52","slug":"aileen-mckay-artists-statement","status":"publish","type":"post","link":"https:\/\/www.femininemoments.dk\/blog\/aileen-mckay-artists-statement\/","title":{"rendered":"Aileen McKay &#8211; Artist&#8217;s Statement"},"content":{"rendered":"<p><em>Artist&#8217;s Statement and images by Aileen McKay<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-26345\" src=\"https:\/\/www.femininemoments.dk\/blog\/wp-content\/uploads\/2024\/03\/SCOTA-I-AileenMcKay.jpg\" alt=\"\" width=\"1000\" height=\"1288\" srcset=\"https:\/\/www.femininemoments.dk\/blog\/wp-content\/uploads\/2024\/03\/SCOTA-I-AileenMcKay.jpg 1000w, https:\/\/www.femininemoments.dk\/blog\/wp-content\/uploads\/2024\/03\/SCOTA-I-AileenMcKay-233x300.jpg 233w, https:\/\/www.femininemoments.dk\/blog\/wp-content\/uploads\/2024\/03\/SCOTA-I-AileenMcKay-795x1024.jpg 795w, https:\/\/www.femininemoments.dk\/blog\/wp-content\/uploads\/2024\/03\/SCOTA-I-AileenMcKay-768x989.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><br \/>\n<em>SCOTA I by Aileen McKay<\/em><\/p>\n<h2>Artist\u2019s Statement<\/h2>\n<p>Aileen McKay: My <em>Scota<\/em> acrylic on canvas series gives form to the blue-on-blue horizons that <a href=\"https:\/\/en.wikipedia.org\/wiki\/Scota\" target=\"_blank\" rel=\"noopener\">Scota<\/a>, Scotland\u2019s migrant foremother might have seen as she led her matriarchal followers across the seas from Egypt (via Spain and Ireland) to the mass of rock and moor we now call \u2018Scotland\u2019. In doing so, I hope to remind contemporary viewers that all nations and cities owe their existence to migration: an ancient human process to which all of us are entitled.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-26346\" src=\"https:\/\/www.femininemoments.dk\/blog\/wp-content\/uploads\/2024\/03\/SCOTA-II-AileenMcKay.jpg\" alt=\"\" width=\"1000\" height=\"1275\" srcset=\"https:\/\/www.femininemoments.dk\/blog\/wp-content\/uploads\/2024\/03\/SCOTA-II-AileenMcKay.jpg 1000w, https:\/\/www.femininemoments.dk\/blog\/wp-content\/uploads\/2024\/03\/SCOTA-II-AileenMcKay-235x300.jpg 235w, https:\/\/www.femininemoments.dk\/blog\/wp-content\/uploads\/2024\/03\/SCOTA-II-AileenMcKay-803x1024.jpg 803w, https:\/\/www.femininemoments.dk\/blog\/wp-content\/uploads\/2024\/03\/SCOTA-II-AileenMcKay-768x979.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><br \/>\n<em>SCOTA II by Aileen McKay<\/em><\/p>\n<h2>About Aileen McKay<\/h2>\n<p>Aileen McKay grew up by the sea. Now a city dweller \u2013 based between Berlin and Edinburgh \u2013 she loves to play with the colour blue, drawn to cyan\u2019s indelibility, as well as the richness of sapphires and indigos. She enjoys working with driftwood, its urban sibling citydrift, and sea glass. Her <em>Queer Threads <\/em>weavings series (2023) brings a rainbow of wool strands (sourced from Scottish farms via independent Edinburgh wool shops) into contrast with cream \u2013 using the traditional tool of the lap loom and the practice of weaving to communicate that queer identities in Scotland are not new, but rather as old as the act of weaving itself, if not older.<\/p>\n<p>Previously working across weaving and the written word, Aileen picked up palette knife and paint at the age of 30 after deciding it was no longer enough for her to only read about female and queer painters. Her kitchen counter is her studio, where she teaches herself how to paint by the midnight oil, a practice she has fallen in love with.<\/p>\n<p>Aileen McKay welcomes anyone who wants to be in touch to email her: msaileenmckay@gmail.com<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Aileen McKay: My &#8216;Scota&#8217; acrylic on canvas series gives form to the blue-on-blue horizons that Scota, Scotland\u2019s migrant foremother might have seen as she led her matriarchal followers across the seas from Egypt&#8230;<\/p>\n","protected":false},"author":1,"featured_media":26345,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1021,1462,19],"tags":[1571],"class_list":["post-26344","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists","category-great-britain","category-painting","tag-aileen-mckay"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/posts\/26344","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/comments?post=26344"}],"version-history":[{"count":0,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/posts\/26344\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/media\/26345"}],"wp:attachment":[{"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/media?parent=26344"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/categories?post=26344"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.femininemoments.dk\/blog\/wp-json\/wp\/v2\/tags?post=26344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}