Christina Rosenberger, Finding the Grid: Agnes Martin and Abstraction (2017)

Video (1:01:56): in her lecture Christina Rosenberger, author of Drawing the Line: The Early Work of Agnes Martin, examines the arc of Agnes Martin’s early career, her productive confrontations with artists such as Ellsworth Kelly, Robert Indiana and Lenore Tawney, and the vibrant artistic networks that developed between California, New Mexico, and New York in the post-war period.

Art Book

Drawing the Line: The Early Work of Agnes Martin
by Christina Bryan Rosenberger
Hardcover: 256 pages
Publisher: University of California Press; First edition (July 19, 2016)
Language: English
ISBN-10: 9780520288249
ISBN-13: 978-0520288249

About Christina Bryan Rosenberger

Christina Bryan Rosenberger is an art historian living in Albuquerque, New Mexico. She is a contributor to Tate Modern’s 2015 exhibition catalogue Agnes Martin and recently wrote on Martin’s 1978 film Gabriel for Artforum. She has taught modern art at the University of New Mexico and has served as Research Coordinator for the Center for the Technical Study of Modern Art at the Harvard Art Museums.

[The copyright of the video above remains with the original holder and it is used here for the purpose of education, comparison and criticism only.]

This post is tagged: