Skip to content
Feminine Moments

Queer Feminist Art Worldwide

 Menu
  • Home
  • Art Blog
  • Newsletter
  • Artists
    • Featured Artists
    • 20th Century Artists
    • 19th Century Artists
  • Categories
    • Birthe’s Pick
  • Bibliography
    • Recent Art Book
    • A-L
    • M-X
  • Resources
    • Exhibition Spaces
    • Lesbian/Feminist/Queer Arts Festivals
    • Queer and Queer Feminist Arts Resources
    • Online Queer/Feminist Exhibitions
  • Contact
    • The Editor
    • Vision
    • Open Call
  • Home
  • Art Blog
  • Newsletter
  • Artists
    • Featured Artists
    • 20th Century Artists
    • 19th Century Artists
  • Categories
    • Birthe’s Pick
  • Bibliography
    • Recent Art Book
    • A-L
    • M-X
  • Resources
    • Exhibition Spaces
    • Lesbian/Feminist/Queer Arts Festivals
    • Queer and Queer Feminist Arts Resources
    • Online Queer/Feminist Exhibitions
  • Contact
    • The Editor
    • Vision
    • Open Call
  • Lecture
  • Sculpture

Sheila Pepe’s Lecture in Boston (2017)

  • March 5, 2017March 14, 2026

This lecture with queer feminist artist Sheila Pepe (February 28, 2017) is a part of the Boston University School of Visual Arts Contemporary Perspectives Lecture Series.

Sheila Pepe

Post navigation

Previous PostWashing line in Rainbow Colors - a Friendly Gesture
Next PostClaude Cahun: Beneath This Mask

Feminine Moments

Feminine Moments (2003-2025) presents fine art made by lesbian, bisexual and queer women artists worldwide. Visual artist Birthe Havmoeller, Denmark, edits this Art Blog and queer feminist art visibility project.

 

American artist and queer feminist Sheila Pepe says, “An artist is always political simply by the nature of the job. And that doesn’t mean that the work looks political or is overtly political but by the choices the artists make it is inherently political, so every material choice, every genre choice, every size choice or medium, it says something about the historical canon that already exists.”

Queer Feminist Art Books

  • Still Dangerous! – The Harmony Hammond Reader
  • Lill-Ann Chepstow-Lusty’s Books in the Preus Museum Library in Norway
  • Annie Leibovitz: Portraits 2005–2016 | Taschen Art Book (2017)
  • Annie Leibovitz – Wonderland (Phaidon Press, 2021)
  • Annie Leibovitz shares moments behind photographing some of the world’s most influential women
  • Dr. Ksenia M. Soboleva: What Happens After – Art, AIDS, and Lesbian Histories (2025)
  • Red Threads – the South Asian Queer Connection in Photographs
  • Zanele Muholi Monograph – Book Review
  • Barnes & Noble – Annie Leibovitz on Women (2025 edition)
  • Graphic Novel – Checked Out by Katie Fricas
  • Velshi Banned Book Club: “Fun Home” by Alison Bechdel
  • Queer Modernism: 1900–1950 (Hirmer, 2025)
  • AUTHOR TALK: THE FIRST HOMOSEXUALS at Leslie-Lohman Museum of Art
  • Birthe Havmøller: 33 st mf
  • Artists’ Books Unshelved – “Marriage Matters,” (2005) by Cheri Gaulke and Sue Maberry

Queer/Feminist Curating

  • Queer Modernism/Queer Curating
  • Anna Bonsink and Giulia Calvi on Queering Nordic Modernism (2022)
  • Diana Bamimeke, Ireland-based Nigerian Curator, Art writer, and Transdisciplinary Artist
  • Webinaire with Amelia Jones
  • Bergen Kunsthall – Queer Methodologies in Curating and Art (2022)
  • Biennale Arte 2022 – Meetings on Art: Curating from Feminist Perspectives
  • Common Ground: Curatorial Activism/Queer Curating – Maura Reilly & Friends
  • Ann Cvetkovich: Artist Curation as Queer Archival Practice
  • Sophie Hackett on Curating Sex and Sexuality (2016)
  • Maura Reilly – Curatorial Activism
  • Queermuseum: Queer Tactics Toward Non-Heteronormative Curating
  • Queer Exhibitions/Queer Curating: A Cross-Cultural Symposium
  • Civil Partnerships? Queer and Feminist Curating: Conference Video Recordings (2012)
  • ‘Printed Matters: Creating and Curating Queer’

Copyright

The copyright of videos, photographs and texts integrated on this website remains with the original holders and the materials are used here for the purpose of education, comparison and criticism only.