Performance and Visual Artist Tif Robinette

Artist Statement by Tif Robinette
Pretty Pony. Performance by Tif Robinette
Pretty Pony. Performance by Tif Robinette

Artist Statement by Tif Robinette

Tif Robinette: ‘Finding the sweet spot between hyper-femininity and aggression, my work is fueled by revulsion to excessive beauty. The interplay between lust and loathing is found within the works, as excess engorges the forms. Rites of passage, such as baptisms, pageants, birthday parties and debutant balls, are environments I am interested in exploring. The organic forms, referencing entrails, cocoons, scatology and cave formations, become sites of obsessive adornment.

I work in many mediums simultaneously, each material demands a unique handling; from hand sewing, to bending wire, to mixing gelatinous plastics. Sourcing crafting and home improvement materials, including, silicone, glitter, plaster, satin, spray foam, puffy paint, and Styrofoam, I construct saccharine mountains reminiscent of post-party Barbie puke or pre-pageant nausea. Combining antique furniture, traditional bridal sewing techniques, and tufting, the hanging sculptures dangle like carcasses or bloated pageant dresses.

Through personal narratives of feminine mythology, family, and dreams, I explore the natural cycles of eating and excrement, beauty and vulgarity, desire and lust. Playful encounters with materials prompt my explorations of spaces and actions.’

Performance artist Tif Robinette
Performance artist Tif Robinette. Photo by MK Moore

Tif Robinette About Her Background:

‘Raised homeschooled in West Virginia [USA], the eldest of nine children, I developed a vivacious imagination and a penchant for massive scale crafting. My experience growing up with seven younger sisters, and then attending a Southern women’s college, informs my fetishization of the nauseatingly pretty. My work, cursed to be cute, both rebels against, and embraces femininity. In a spirit of playfulness, I create sickly-sweet multi-media projects that reference environments, relationships, and my own history with a sense of excess and frivolity, finding the crude and fantastic in the everyday. I work in many media simultaneously, including painting, installation, sculpture and performance’.

Craftivism

Tif Robinette will be doing two performances at the queer arts and crafts exhibition titled Craftivism, curated by Canadian/ British/ American performance and video artist Coral Short. Pretty Pony (see photo above) is one of them. Craftivism will open in Brooklyn, July 2013.

Related Link

Tif Robinette’s online portfolio

American Painter Taylor Smith

Taylor Smith: Artist statement and paintings


Study For Two Women. Painting by Taylor Smith

Artist Statement

Taylor Smith: Within my work, I blend my own contemporary interpretation of abstraction with elements of traditional still life and portraiture. Mathematics, organic chemistry, mechanics, photography and pop culture also play a role in my path from conception to completion. Much of my recent work explores the relationship between abstraction and the ordered world of still life and traditional portraiture. My love of the female form has also greatly informed my work in recent years. My intention lately has been to blend abstraction and traditional painting with elements of eroticism, chemistry and mechanics to create an unexpected and moving experience. This work is my mark.

I often alternate between painting self-portraits and abstract portraits of those women I have had significant relationships with. In many of the works, I will obscure the face to draw the viewer in closer as they attempt to understand what is missing and fill in the empty spaces on their own. I also feel that painting the female figure more loosely allows for greater exploration, not only by myself, but also on the part of the viewer. There are questions to be answered and the uncomfortable space creates an underlying tension, often a sexual tension, and that is really what I am hoping to achieve. Most of us experience that sexual tension when we are with a woman who fascinates us. I want my paintings of women to fascinate and create emotion.


Portrait of a Woman with Periodic Table of Elements. Self portrait by Taylor Smith

To me, art and science are a beautiful yin and yang combination, but to many people it is one that is quite unexpected. There is a beauty in science, math and chemistry which I feel pairs nicely with the softer side of the arts. I also think the details within the pieces tend to draw people in, and anytime you can pull the viewer in it offers them an opportunity to draw their own conclusions and think more about art. That is a very good thing.


Duchess of Canterbury in Early Morning Light. Painting by Taylor Smith. This painting received an award from the Kinsey Institute in 2012


Looking Forward. Painting by Taylor Smith


Woman in Early Morning Light with Chemical Reaction. Painting by Taylor Smith

About Taylor Smith

Indianapolis-based contemporary fine artist Taylor Smith’s work documents her interest in sexuality, the human figure, science, nature, analogue photography and organic chemistry. Taylor creates medium to large-scale paintings on linen, panel and canvas, often working in oil, acrylic, photo transfer, charcoal and at times, wine. Taylor has exhibited nationally and internationally, as well as having been a featured artist at the Florence Biennale in Italy. She is also the recent recipient of a Creative Renewal Arts Fellowship generously funded by the Eli Lilly Endowment. Her work has also been selected several years concurrently for inclusion in The Kinsey Institute Juried show, a prestigious annual selection of artworks relating to eroticism, the politics of sex and gender and the human figure. While studying in Germany in the 1980’s, Taylor participated in several art projects at the Berlin Wall including one with the artist Keith Haring. Currently Taylor paints in her Indianapolis studio, but travels frequently for inspiration. As part of her recent Fellowship, she is planning an extended working visit to Germany and France to study with several leading artists so that she may produce a new body of work prior to 2014.

Related Links

Taylor Smith’s online portfolio Taylor Smith’s profile at Saatshi Online Taylor Smith’s artist page at Facebook

The Sweet Chocolate Box Artwork

Artist statement and photos by Ange Groenwoud

Sweet Intervention, photo by Ange Groenwoud

Sweet Intervention, photo by Ange Groenwoud

Artist Statement

 Sweet Penetration, photo by Ange GroenwoudAnge Groenwoud: I was born is Australia in a small and conservative country town. I was an only child to sheep farming parents. As a child I was always drawing and loved making drawings of an imaginary sister that I never had. One day at high school there was a girl called Jackie, who could have been my sister, and although I occasionally overheard the boys talk about her and how much they fancied their chances with her, they never got close to her. Instead, my friendship with her was the sister bond I so needed. I never saw my feelings for her as lesbian, so never saw the need to come out, that need came much later.
My sister Jakie showed me that life does not need to be bitter and helped me pluck the strength to leave my abusive marriage. It is this history that has inspired the artist in me to make a series of artworks dedicated to sweetness.
Every time Jackie (whom I had a crush on before I got married to a sheep farmer) and I met in our high school days, it was like a chocolate box was given to me in an otherwise dreary day. Then some ten years into the marriage, Jackie had returned to the district again for a few months. We met up and it was like ‘old times’. It was only then that I considered that my feelings had a label. Jackie told me that she was lesbian and out, so it meant I was lesbian too!

Sweet Chocolate Box

Sweet Pineapple, photo by Ange GroenwoudI began to image that if chocolate boxes came with lesbian pictures, how would they look? So I began a series of The Sweet Chocolate Box lesbian images. Some may find these too sweet, but I need to O.D., on sweetness from time to time, doesn’t everyone?
I wonder if the makers of chocolate boxes ever will take them? Can you image how lovely it would be to present you lover a box of chocs with one of these pictures for her birthday or Valantines Day?
To make my art accessible, I’m thinking that it may be nice to make these available as downloads. Anyone who buys the images can print them out so that they can be stuck to a choc box and given as that ‘special’ gift to that ‘special’ love in your life. Or think of the fun you can have if there is a special lady you want to approach, but don’t know how she feels about ’wimmen-to-wimmen’. How would she respond to a box of chocs with one of these pics? If she responds negatively, you’ve planted a seed. If she responds positively, you’ve gained your dream. Sugar sweet has its merits.

Sweet Friction, photo by Ange Groenwoud

Sweet Friction, photo by Ange Groenwoud

Sweet Whispers, photo by Ange Groenwoud

Sweet Whispers, photo by Ange Groenwoud

Sweet Relaxation, photo by Ange Groenwoud

Sweet Relaxation, photo by Ange Groenwoud

About Ange

Australian artist and queer woman Ange (Greta-Angelique) Groenwoud is based in Melbourne, Australia. Five years ago she realized that her painting skills could be morphed to work in photography. So she developed her own style, which she calls ‘Photopaintings’. Her series of staged erotic photographs titled ’Sweet Chocolate Box’ was made in Melbourne between March 2012 to Feburary – 2013. They are photographic collages in which Ange has staged herself as all the nude women. She tells, “Each picture can take days even weeks to make. I add things to suit the mood and the look. It’s like being director, artist, and model all in one, it’s satisfying and great fun!”

Artist Showcase – Fine Art Photographer Leah DeVun

Photographies and artist statement by Leah DeVun

Up from Under by Leah DeVun

Up from Under. C-Print by Leah DeVun, 2010

Artist Statement by Leah DeVun

Our Hands on Each Other draws its title from a quotation in Lesbian Land, a collection of writings by lesbians who founded or lived in women’s intentional communities, sometimes called “womyn’s lands,” in the 1970s and 1980s. With this series, I try to explore the nature of queer and feminist space in the past and present. While spaces and publications dedicated to feminist activism and artwork were all the rage in the 1970s – the era that saw the foundation of relatively large numbers of women’s activist communities – fewer survive now. This project asks: what did a feminist collective space look like three or four decades ago? What does one look like now? I wanted to go beyond straightforward documentary photography, to collapse time between the intervening decades and interweave the different generations of lesbian/transgender/queer people who have created feminist space.

I intended this not as an act of nostalgia, but as a reactivation and reexamination of activist impulses that might (continue to) be present and serve us today.These resulting photos use queer models to recreate images from vintage lesbian feminist zines, such as Country Women, Lesbian Connection, Sinister Wisdom, Womanspirit, and other publications that were especially concerned with collectivity and rural living. The interiors and landscapes were taken on womyn’s lands that are still in existence. They highlight meeting points on the lands, for instance, a shared kitchen, or a yurt that houses visitors, evoking the tension between togetherness and isolation that are part of living on lands in remote areas.

I also made light boxes inspired by photographs of street marchers and protesters so key to the feminism of the time. These multimedia sculptures are anthemic “signs” intended to capture the aesthetic of photocopied/zine-oriented activism. They evoke movement in both senses of the word: the feminist/gay Movement, but also the physical movement of participants that breaks them out of the rectangular frames of standard portraiture. While the light boxes show original photographs, they’re influenced by the archival materials that I included on-site at one gallery in which these images were exhibited – a selection of lesbian magazines and journals from the 1970s and 1980s, which I used to title some of the photographs.

On the night of the gallery opening [at Women and their Work Gallery, Austin, Texas, 2010], together with audience members, I built a new collective women’s space (in the form of a wood structure inspired by the architecture of womyn’s lands – better known as the “lesbian shack”) as a performance piece. Tools were put out and viewers were invited to add to the piece in whatever way they saw fit during the run of the show. I wanted participants to consider how we continue to build collective space, but it also required them to ask: Who is allowed to be involved in these projects? Who identifies whom? Who is able to identify as a woman or as a feminist?

Yurt Kitchen by Leah DeVun

Yurt Kitchen. C-Print by Leah DeVun, 2010

Women in Sunlight by Leah DeVun

Women in Sunlight. C-Print by Leah DeVun, 2010

About Leah VeDun

New York-based fine-art photographer and feminist Leah DeVun’s work documents queer and gendered communities, from lesbian separatist communes to the contents of gay and lesbian archives, to the drag-like performances of obsessed Hannah Montana fans. Leah has exhibited nationally and has been featured in Artforum, Nylon, Venus Zine, Artlies, and Glasstire, among other American publications. Her work was recently selected for inclusion in NYC’s Dodge Gallery show “Twisted Sisters,” a round-up of feminist artists that also included Ana Medieta, Nancy Spero, Marlene Dumas, and Wangechi Mutu, and she has had a solo show in 2012 at LA’s ONE Archives Museum and National Gallery (part of the University of Southern California focused on LGBT art). Curently Leah DeVun teaches women’s and gender history at Rutgers University, and she was recently a faculty fellow at Stanford University for 2011-12.

Starplate Connector by Leah DeVun

Starplate Connector. C-Print by Leah DeVun, 2010

Related Links

Leah DeVun’s online portfolio

Finnish Avant-garde Filmmaker

the edge, 9.30 min.
premiere 2012
script / video / sound / editing : Mox
read by Anna Rawlings
translated by Lola Rogers
the original script is in Finnish

About The Filmmaker
Mox is a multidisciplinary artist and an avant-garde filmmaker, who is based in Finland. Since the late 70s Mox has presented her artworks at exhibitions in Finland and in Europe. She studied art at Turku Art school 1980-1984. Mox works with sound, image and her writings, and makes installations, assemblages and short films. She makes very low budget short films, and offers the results of her work for free on the Internet. Her recent works include “idiot ibidem“, installation collection, text, film-diary, sound-diary and music adaptation, Suomenlinna, Rantakasarmin galleria, Helsinki, Finland, 2003, Human x – human and x, theme adaptation from an archive collection for the Oulu Art Museum, Finland, and the short film projects: meta matka / Children & Shepherd’s bank, published on online in 2010, and Story Ambient, a spoken word video project launched on the web in 2011.

Story Ambient by Mox
Mox is critical, sad and sometimes satirical. She has chosen to live with her friend, the forest, so in a mainstream social context she considers herself an outcast, but this is not a problem for her. The real problem is that Nature, her beloved friend, which is the home of all of us, is being destroyed bit by bit every day and everywhere.
Mox’s short films the edge (above) and cobweb (below) are a part of her Story Ambient, a spoken word video project. In the video the edge she gives us a glimpse of the introvert world of the narrator, who is a female artist living near the edge. cobweb, a short film with darkened video footage is about a man, who has mixed feelings about being in the net and telling his stories to the web.
Mox makes her short films available for the international community via the Internet. More videos of the Story Ambient series are available for online viewing at the Story Ambient site.

cobweb, 5.47 min.
premiere 2011
script / video / sound / editing : Mox
read by Frank Boyle
translated by Lola Rogers
the original script is Finnish

Related Links
Story Ambient, a spoken work video project by Mox
Mox’s videostream at Vimeo